Essays

Reappropriation of Public Space: Autonomous Space Making from Istanbul’s Alternative Theatre Scene to the Gezi Movement

Authors

DOI:

https://doi.org/10.21827/ejtp.4.41719

Keywords:

Gezi, public space, theatre, urban activism

Abstract

I analyse Istanbul’s Gezi movement in 2013 to explore the intertwined relationship between public square movements and theatre. An alternative theatre movement in Turkey emerged in the 2000s in Istanbul that can be traced back to the 1990s, when theatre companies started to construct their own spaces by converting unexpected places into theatres and, thereby, enabling new ways of practicing theatre. The essay presents empirical fieldwork using semi-structured interviews and participative observations with independent theatres since the 1990s. Alternative theatre practices in Istanbul offer an alternative history of autonomous space making in the city before the Gezi Movement. In the aftermath of Gezi, alternative theatres gained momentum by extending political resistance and transforming their relationship to urban space and, hence, to politics.

Author Biography

Zeynep Uğur, École des Hautes Études en Sciences Sociales

Zeynep Uğur is a PhD candidate at EHESS in political studies under the supervision of Nilüfer Göle. Her PhD dissertation is entitled ‘Transformation of Public Culture: Theatre as the Battleground of Politics in Turkey after 2000’. She worked as a research assistant between 2017 and 2019 on the project PublicDemoS Project led by Nilüfer Göle and funded by NOMIS at EHESS. Her research interests include performing arts and public space, the relationship of populism to the culture and public square movements. She is also the co-founder and Cultural Policy Director of Istanbul Fringe International Performing Arts Festival.

Published

2022-06-23

Issue

Section

Essays