Essays

Negotiating “Home” Borders: Creative Processes Hosting Syrian and Palestinian Syrian Artists in Europe

Authors

  • Ruba Totah University of Mainz

DOI:

https://doi.org/10.21827/ejtp.2.41787

Keywords:

Creative process, memory, identification, cultural policies, relational dynamics, Arab performing arts in Europe

Abstract

Since 2015, hundreds of artists have joined the migrating masses from the Arab region with support from various international channels. Solidarity within the European performing arts scenes provided frameworks for artists’ cultural participation, which transfused new socio-cultural implications on their subjectivities. This paper examines how, in the case of Syrian and Palestinian Syrian artists’ engagement in creative processes at the European performing institutions, these processes influenced their home-making experiences. By using a grounded approach, this paper draws insights from an observed creative process within a professional theatre production in Germany, and an artist’s personal experience of involvement in a creative process in France. The paper addresses the implications of such processes for citizenship and the integration of artists in the realm of migration.

Author Biography

Ruba Totah, University of Mainz

PhD candidate at Johannes Gutenberg University Mainz, Germany. Her research is on the transnational cultural experiences of artists inEurope: Artists coming from Syria. Holder of a Master degree in Gender and Development from Birzeit University BZU- Palestine, 2013, focusing on Performing Art and Social Change; view on Religiosity, Class and Sexuality. She has extended experience as a cultural manager of civil society organizations working in the field of Culture.

Published

2020-05-15

Issue

Section

Essays