Shermin Langhoff: A Rebellious Spirit in a Mainstream Theatre
DOI:
https://doi.org/10.21827/ejtp.2.41789Keywords:
Shermin Langhoff, postmigrant theatre, artists of colour, postcolonial discourse, political theatreAbstract
Shermin Langhoff, and her visionary artistic work at Maxim Gorki Theatre Berlin, are a crucial part of contemporary German theatre. But long before she became a pivotal artistic leader in Germany, she was an integral part of a movement that paved a way for artists of colour and minorities from the peripheries to the centre of Germany. In this article, I examine the long and successful career of Shermin Langhoff through different aspects and temporal phases, to form a multifaceted and critical portrait of her work. By looking into postmigrant theatre and its significance, I want to give an insight into the importance of her artistic and political impact for German society and German theatre.
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Copyright (c) 2020 Azadeh Sharifi

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