Essays

The Journey Towards a Socially and Politically Engaged Theatre by the Cantieri Meticci Collective

Authors

DOI:

https://doi.org/10.21827/ejtp.7.1.42831

Keywords:

migration, Italy, theatre

Abstract

The performance art has become a meeting point for cultures, stimulating reflections on migration and identity. Artistic hybridization reflects the complexity of migratory experiences and the evolution of the arts in the Italian context. The company Cantieri Meticci is an example of this, transforming theatre into a space for intercultural experimentation and actively involving migrants, refugees, and artists. In doing so, the collective creates a laboratory of resistance against marginalization, invisibility, and hegemonic narratives that stereotype migrants, while promoting profound social and cultural change. Their political approach gives a voice to those on the margins, fostering the construction of an inclusive community and new shared narratives.

Author Biography

Alba Salluzzo

Alba Salluzzo graduated in the MA Programme, Writing and Production for the Performing Arts and Media, at Sapienza University, with a thesis entitled ‘Studio delle pratiche artistiche e delle sfide socio-culturali e politiche: la compagnia multiculturale Cantieri Meticci’ (trans. Study of Artistic Practices and Socio-Cultural and Political Challenges: The Multicultural Company Cantieri Meticci). Currently, she is attending the Master’s program, Economics, Organization, and Project Design for the Performing Arts and Live Events, also at Sapienza University. In her research work, she explores how the arts can create spaces — both symbolically and materially — that make visible and question the forms of racialization, exclusion, and social inequality affecting people with migratory backgrounds.

Published

2025-09-02