Essays

Lemon Juicer Merkel: Where the Real and the Fictional Europe Meet. Exploring Thomas Bellinck’s Domo de Eŭropa Historio en Ekzilo

Authors

DOI:

https://doi.org/10.21827/ejtp.1.42891

Keywords:

Thomas Bellinck, Europe, musealization, monumentalization, performative installation, politics of memory, politics of history

Abstract

By exploring Thomas Bellinck’s Domo de Eŭropa Historio en Ekzilo, this paper seeks to demonstrate how Europe’s resort to its past is more than a desperate answer in the absence of a new narrative for the future of Europe. As I will show, this nostalgic reflex is part of a broader phenomenon that is both a response to and a symptom of a temporal crisis, emphasizing our inability to cope with the past and to imagine alternative futures. With Domo as an instrument, and with the insights of Andreas Huyssen, François Hartog and Svetlana Boym as a theoretical framework, I will explore how theatre practices can help to overcome our inability to deal with the recalcitrant past.

Author Biography

Jasper Delbecke, S:PAM (Studies in Performing Arts & Media), University of Gent (Belgium)

Jasper Delbecke studied Theatre and Performance Studies at Ghent University and Freie Universität Berlin. In 2014 he graduated as Master in Art Science: Theatre and Performance Studies (Ghent University). He is an affiliated researcher at S:PAM (Studies in Performing Arts & Media) at the Arts & Philosophy Department of Ghent University. His doctoral research – granted the PhD Fellowship of the Flemish Research Foundation – explores how the form and the discourse of the essay appears within the field of contemporary performing arts. He has published in Performance Research, Performance PhilosophyTestimony and Documenta. 

Published

2019-04-15

Issue

Section

Essays