Essays

La face larvée de l’Europe: Breivik’s Statement de Milo Rau

Authors

  • Kathrin-Julie Zenker Aix-Marseille University (France)

DOI:

https://doi.org/10.21827/ejtp.1.42896

Keywords:

Breivik's Statement (2012), cultural identity of Europe, documentary performance, identitarian movement, Milo Rau, New Realism

Abstract

Since the turn of the century, in a manner both covert and indisputable, the West has been consumed by a disturbing political and ethical contradiction. The definition of European identity as democratic, liberal and cosmopolitan is no longer unanimous: the patriots of a new conservative revolution dream of a Christian Europe, an authoritarian nationalism and an ethnically purified society. The heroic figure of the identitarian movement is the warrior (spartan or chivalrous) who saves Europe from its decline and decomposition.As part of the aesthetic movement of New Realism, Swiss director Milo Rau, created in 2012 a documentary performance Breivik’s Statement. Within a minimalist scenic device, without recourse to fictionalization, Rau (ex)poses on stage the speech that Anders Breivik himself addressed in April 2012 to the Federal Court of Oslo in order to ideologically support his actions. Instead of reshaping reality aesthetically, Milo Rau’s stage reenactment simply put the viewer in the presence of world events. His theater demystifies, literally illuminates – even the hidden face of the shared narrative that we call Europe.

Author Biography

Kathrin-Julie Zenker, Aix-Marseille University (France)

Kathrin-Julie Zenker holds PhD in performing arts and is a German theatre director. She studied at the Institut supérieur des arts de la scène (INSAS) in Brussels and the Ernst Busch National German theatre school in Berlin, where she worked respectively with the writer Jean-Marie Piemme and the director Manfred Karge. Her research deals with the place of the actor in contemporary documentary art. She has been teaching at the University of Nice Sophia Antipolis (CTEL) a research program on the subject of ‘Arts and current affairs’ and New Realism in collaboration with Stefan Kaegi (Rimini Protokoll).

Published

2019-04-15

Issue

Section

Essays